Sunday, December 13, 2020

THE DRESS: A HOLIDAY STORY

THE DRESS *    

By 

Sheryl J. Bize Boutte 

 © Sheryl J. Bize Boutte 2012 

 

By the mid 1960’s my parents had four school-aged daughters to support and a fifth change-of –life daughter on the way. Birthday and Christmas gifts often supplemented outgrown or worn out school clothes along with the begged for doll, bike or skates.  Sometimes we got something special; something homemade, handed down or handed over that always brought a unique and precious feel to the celebration.  

 

It was in this tradition on Christmas Day in 1966, while the color wheel changed the aluminum tree from blue to green to red and back againmy mother, referring to me by my “old soul” nickname said, “ This is especially for you, Grandma”, as she handed me a gold- ribboned box.  Inside was a simple frock; a multi-colored, multi-flowered shirtwaist dress with a wide belt and full skirt.  A gently worn hand-me-down from one of my mother’s wealthy acquaintances, the bottom of the hem hit just below my knobby knees and fit my still-growing 15-year-old body perfectly. It was a spring dress, of course, but I could not wait to wear it to school.  My fingers were already turning the front doorknob, as my mother’s voice admonished, “Girl, don’t you know it is JANUARY? You are going to catch pneumonia in that thin little dress!” But was halfway down the street and around the corner on my way to school before she could finish her warningMy inaugural wearing of this dress would also be the day a 17-year old boy would look out of his window from the 3rd house on the right and see me for the first time.  

 

wore The Dress much too often, but I had never had anything like it. It had the power to make my teenage self feel like a big grown up lady and became the favorite in my sparse wardrobe.  It also made that boy wait for me to pass his house each day and then fall into step behind me.  Stealthy and silent, he walked behind me for the five blocks to school for the rest of the school year. A bookworm and a loner, totally inside my own head as I made my way, I never once thought to look back. 

 

Months later the forces emanating from The Dress would give that boy the courage to ring my doorbell 

 

“Hi, I’m Anthony from around the corner. Does the girl with the flowery dress live here? he asked the sister who answered the door.  Rolling her eyes, she said, “You must be looking for Sheryl.  She is always wearing that old-timey dress.”   

 

From that day forward, Anthony, the boy who had been my silent and unseen companion became my boyfriend, and soon after that, my fiancé.   

 

On a beautiful spring day in 1971, we married in the living room of my family home with only our parents, my grandmother and a few friends in attendance.  Still waif-like at age nineteen, my wedding dress was an elegant non-flowery peach chiffon and silk, the perfect compliment to my new husband’s ruffled peach shirt and coordinating bowtie. Our reception consisted of post-wedding photos taken in my parent’s park-like backyard, while our few guests dined on crust-less tuna and chicken salad sandwiches cut into little squares accompanied by Mumm’s extra dry champagne. 

 

The years passed as we settled into married life, college graduations, career building, and child raising Anthony and I were so destined to be together, that people came to refer to us as “Sheryl and Anthony” or Anthony and Sheryl” as though they could not bring themselves to separate our names.  Friends would say,  “If you see one you see the other” and actually seemed proud to know a couple that had been high school sweethearts. Our love for each other remained strong and true but after a time, The Dress became so faded the flowers were barley visible, and so threadbare it was no longer wearable. Tearfully, I threw it away. 

 

A thoughtful gift-giver, Anthony would often come home on my birthday, our anniversary or Christmas with a ribbon-tied box containing an exquisite dress, suit or even shoes, from a small boutique he claimed as his territory for his gifts to me.  Once he presented me with a beautiful white suit and when I asked what the occasion was, he replied, “Because it's Tuesday.” He always chose the correct size and only stopped the practice when his boutique of choice went out of business.  But of all the wonderful gifts he bought for me to wear, he never found anything as special as The Dress.   

 

Then one rainy December day while flipping through a Christmas catalog I saw it; a multi-flowered shirtwaist dress with a white background, a full skirt and a wide belt. Could it be?  When it arrived I was a bit disappointed to find that the fabric had an unworn stiffnessthe flowers were not as vibrantand the belt was a skinnier version of its beloved predecessor.  But after so many years of The Dress drought, I decided this dress and I would make a pact to stay together, even though we both knew the relationship would never be ideal. 

 

Anthony loved me in this dress even though I knew it for the poseur it wasAnd because he loved it, I wore it to work and out to dinner.  I wore to the movies and to the supermarket.   I wore it with a shawl in the spring and with boots and a jacket in the winter. continued to wear it after our daughter was born in the 70's and was surprised, yet happy, that after I punched an extra hole in the belt for just a bit more room, it continued to fit. I wore it through my daughter’s early school years and into her entry to junior high.  After she told me how much she liked it, I wore it even more. Still, through all of that, this dress could not convince me that it was the one. 

 

Since I could never get enough of how happy it made my family, over time the dress and I had settled into an easy truce. I came to accept the fact that it could not help me to recapture the feelings I had when I wore the anointed original.  And it seemed to know that although it was not The Dressmy family’s reactions would make it most treasured piece.   

 

After nineteen years of wear, I put the dress on one day and discovered I could no longer easily button it.  Could I loosen the belt, perhaps? No, I had run out of room for more belt holes. Not wanting to give in to the truth I buttoned the dress and fastened the belt anyway, breaking a fingernail to the quick as I did so. The dress countered my orders for its cooperation with sharp and intense rib pain and taking away my ability to breathe.  We stood at loggerheads in the mirror for a few seconds before I gave in and feverishly began to free myself from its grip.  My disappearing waistline and the dress had finally conspired to betray me.  With mixed emotions I knew we would have to part ways.   

 

As loved ones became new angels and babies were born, Christmases came and went.  They were always special and filled with the joy of being with family and friends.  Christmas day would always find my famous Creole Gumbo on the stove along with homemade cinnamon rolls.  There were many treasured gifts given during these times, but nothing ever matched the magic of The Dress. 

 

Christmas Day2010, Anthony presented me with a large golden box wrapped with a golden bow.  Weeks earlier we’d decided that because we felt so blessed, we would forgo gift buying that year.  I was both surprised and somewhat annoyed that he had broken the pact and with pursed lips I launched into a protest, “But I thought we weren’t going to…” Smiling that smile he wore on my parent’s front porch those many years ago, Anthony waved off my objections and said, “Just open it!”  I peeled off wrapping paper printed with the words, “Zell’s Vintage,” and opened the box.  

 

 Inside was a simple frock.  

 

 A multi-colored, multi-flowered shirtwaist dress with a wide belt and a full skirt.   

 

 The Dress was back for Christmas. 


***********************

 

 * This version of The Dress was originally published in the Harlequin anthology A Kiss Under the Mistletoe  (Jennifer Basye Sander ) 2013 and was published in my short story collection, A Dollar Five-Stories From a Baby Boomer's Ongoing Journey, 2014.  Most recently, it has been republished in The Little Book of Christmas Joy-True Holiday Stories to Nourish the Heart (Jennifer Basye Sander, Park Row Books, 2020), and was featured in the Women's National Book Association-San Francisco Chapter https://wnba-sfchapter.org/ "Holiday Storytelling Fest", December 2020, hosted by Kate Farrell. 

Friday, December 4, 2020

FROM FRANCE: THE "SMITHEREENS" BOOK BLOG REVIEWS "BETRAYAL ON THE BAYOU"

ALL THE WAY FROM FRANCE
THE “SMITHEREENS” BOOK BLOG 

REVIEWS 

BETRAYAL ON THE BAYOU

Sheryl Bize-Boutte, Betrayal on the Bayou (2020)

"The One on the French Bayou
DECEMBER 3, 2020 
https://smithereens.wordpress.com/
 
I was approached by the publisher to review this book, and I normally don’t really take more books in, but I was intrigued. I’m so glad I took the chance! It really made me travel far from my own place, both in time and space (in a year where I really went nowhere!). I know really little about Louisiana, but I enjoyed the atmosphere and the characters, and the book was quite original. Beware, there’s another novel titled “Betrayal in the bayou” (not “on”) and it’s a whole different story!
Betrayal on the Bayou is set in a fictional valley in Louisiana , but it actually starts in France in the 1850s, with Emile, a wealthy young man who is a lazy and quarrelsome seducer, to his parents’ despair. They marry him off and put them both on a boat to Louisiana. He arrives there a widow and the father of a little girl, and discover a segregated world dominated by the French code noir and by the heirs of the original French settlers, who literally rule the whole community. Using his usual schemes he manages to marry the heiress of the family, who agrees to finance his lazy lifestyle because she has her own agenda.
The novel soon introduces us to several characters who are outside of the clichés and manage to survive against the odds. I don’t want to spoil the twists and turns of the novel but it’s a family (or community) saga that spans from the 1850s to the end of the 19th century and even more. I wondered whose singular betrayal the title is referring to, because there are so many different betrayals in this book! I liked that the characters had depth and justification even when they behaved quite immorally or outside the social norms. Racial and sexual injustices are at the core of the book but it is never preachy. When I finished the book I had to check if the Tassin valley was a real place or not! The story stretched credibility to some extent but as the pace was swift I really enjoyed the ride.” 

WWW.SHERYLJBIZE-BOUTTE.COM

Monday, November 30, 2020

A MATTER OF CHARACTER: JOIN ME AT MECHANICS INSTITUTE ON JANUARY 8, 2021

THE MECHANICS INSTITUTE PRESENTS:

A Matter of Character: How To Create Enduring Fictional Characters

with 

Sheryl Bize-Boutte

Friday, January 8, 2021 - 12:00pm to 1:30pm

This event is hosted in partnership with the San Francisco Writers Conference.

This event will take place via Zoom. Please register via Eventbrite and the Zoom credentials will be sent to you a few days before the class starts.


Tickets here:

https://www.milibrary.org/events/matter-character-how-create-enduring-fictional-characters-jan-08-2021#ticketsAdmission: 

MI Members $19

Public $29

Questions? Contact Taryn Edwards, tedwards@milibrary.org

DESCRIPTION:

If you're a fiction writer your characters need to come alive for your reader or audience. A good character is integral to the story – whether they are the protagonist, antagonist, or part of the supporting cast. In this workshop, you will discover what makes a good character, learn where to start in creating a character, and begin to develop a character in real-time.

ABOUT THE PRESENTER:

Pushcart Prize nominee Sheryl J. Bize-Boutte is an Oakland multidisciplinary writer whose autobiographical and fictional short story collections, along with her lyrical and stunning poetry, artfully succeed in getting across deeper meanings about the politics of race and economics without breaking out of the narrative. Her writing has been variously described as "rich in vivid imagery," "incredible," and "great contributions to literature." Her first novel, Betrayal on the Bayou, was published in June 2020 and a poetry collection she has written with her daughter Dr. Angela M. Boutte, titled No Poetry No Peace, was published in August 2020. She is also a popular literary reader, presenter, storyteller, curator, and emcee for local events.


For each class, we reserve the right to cancel at any time and issue a full refund. If you are unable to attend your class, please email tedwards@milibrary.org at least 10 days prior to the class to receive a full refund. All fees must be paid at the time of registration.


 













Saturday, November 7, 2020

JOIN US DECEMBER 9 FOR HOLIDAY STORIES!

WOMEN'S NATIONAL BOOK ASSOCIATION-SAN FRANCISCO CHAPTER (WNBA-SF)


Wednesday Dec 9 – Holiday Storytelling Fest!

6:00 – 7:00 pm PST

FREE Bring your own drinks and snacks

Join WNBA-SF Chapter in a virtual storytelling fest to celebrate the holidays as only book women can! We will share jolly, charming personal stories to make up for live holiday parties and family gatherings.

After a few presenters model their holiday stories, we’ll open it up to our virtual audience—that’s you! We want to encourage the sharing of stories during the holidays with friends and family, and provide basic techniques to enhance our skills.

We have invited contributors to Story Power who are also WNBA members as presenters in an informal, roundtable sharing of stories. Welcome to the table!


Kate Farrell Kate Farrell is our host and facilitator. Kate is a storyteller, author, librarian, founded the Word Weaving Storytelling Project and published numerous educational materials on storytelling. She has contributed to and edited award-winning anthologies of personal narrative. Farrell’s new book, a timely how-to guide on the art of storytelling for adults, Story Power: Secrets to Creating, Crafting, and Telling Memorable Stories, was released in June 2020. Farrell has presented workshops for adults on the art of storytelling at the San Francisco Public Library, Mechanics Institute, and the San Francisco Writers Conference. She is now offering virtual workshops for libraries and writing groups, as well as performing virtually as a storyteller.

Website: https://katefarrell.net/   Blog: https://storytellingforeveryone.net/

Sheryl J. Bize-Boutte is a Pushcart Prize nominated author who has been described as a “Talented multidisciplinary writer whose works artfully succeed in getting across deeper meanings about life and the politics of race and economics without breaking out of the narrative.” Based in Oakland, California, the diverse bay-side city often serves as the backdrop for her always touching and frequently hilarious works. Reviewers praised her first book, A Dollar Five-Stories from A Baby Boomer’s Ongoing Journey calling it “rich in vivid imagery”, and “incredible.” Her second book, All That and More’s Wedding, is a collection of fictional mystery/crime short stories. Running for the 2:10, a follow-on to A Dollar Five delved deeper into her coming of age in Oakland and the embedded issues of race and skin color. She is a contributor to award-winning author Kate Farrell’s book Story Power. Betrayal on the Bayou, published June 2020, is her first novel. Website:  https://www.sheryljbize-boutte.com/

Humaira Ghilzai is a writer, speaker and Afghanistan Cultural Consultant. Humaira opens the world to Afghan culture and cuisine through her wildly popular blog, Afghan Culture Unveiled. She shares the wonders of Afghanistan through stories of rich culture, delicious food and her family’s traditions. Humaira is a member of Women’s National Book Association, the MENA Theatre Mares Alliance Network, and a reader for the 2020 Bay Area Playwrights Festival. She’s currently working on her first novel, Unraveling Lives, which is set in San Francisco and Afghanistan. Humaira’s writing has been published in Encore Magazine, Mataluna: A book of 152 Afghan Pashto Proverbs, and the Medium. Humaira is a contributor to Story Power, sharing her tips on writing and a family story. Website: www.humairaghilzai.com FB: @afghancultureunviled

Mary MackeyMary Mackey is an award-winning novelist and poet with fourteen novels including The Village of Bones, which won a 2018 CIIS Women’s Spirituality Book Award from the Department of Diversity and Inclusion; The Year The Horses Came; and A Grand Passion, that was translated into 12 foreign languages and made the New York Times and San Francisco Chronicle’s best seller lists. Mackey is the author of eight collections of poetry including Sugar Zone, which won the 2012 PEN Oakland Josephine Miles Award, and The Jaguars That Prowl Our Dreams, which won the 2019 Eric Hoffer Award for the Best Book Published by a Small Press. Mary became a writer by running high fevers, tramping through tropical jungles, dodging machine gun fire, being swarmed by army ants, making catastrophic decisions about men, and reading. Website:  https://marymackey.com/ 


Other WNBA contributors to Story Power also invited to tell in the roundtable sharing, include: Bea Bowles, Betsy Graziani Fasbinder, Joan Gelfand, Linda Joy Myers, Bev Scott.

Bring your favorite holiday drink and a 3-minute holiday story to share!

Where: Zoom –Zoom (link provided via email when you register)

https://wnba-sfchapter.org/rsvp-form-event-2/