Sunday, March 28, 2021

THE CLOSING OF MILLS COLLEGE AND THE LAST BLACK GOLDEN GIRLS

THE LAST BLACK GOLDEN GIRLS


Sheryl J. Bize-Boutte
Mills College Class of 1973



I am writing this on the day of the March 17 announcement about the “transition” of my alma mater, Mills College, from a degree-conferring academic institution to an as yet undefined “Mills Institute.”  This declaration finally put to rest months of speculation and misinformation surrounded by years of concern about the future of the College. 

This change will also mean that Mills College may hold its last commencement ceremony in 2023.

 That year, 2023, holds special meaning for me and my classmates from the graduating class of 1973.  It will be the year that we reach fifty years since our commencement. It will be the year in Mills’ parlance that we become “Golden Girls.”  A Mills “Golden Girl” gets the royal treatment at her fiftieth reunion and it is a wonderful and joyous achievement, whether it is tethered to the institution, to us a group of amazing women, or both.  To truly understand how significant that year will be for us, you have to know that the Mills class of 1973 is still thought to be the largest class of Black women in the history of the college.  Gaining admission in 1969 to this prestigious all-female undergraduate institution was both a result of the Black Power Movement and our stellar grade point averages.  Many of us were from Oakland and up until our acceptance and admission to the College had little or no idea what was hidden behind the ornate fences that surrounded it.  The fact that we graduated, many with honors, was and is a testament to our tenacity, savvy and still quite evident, “change-maker DNA.” 

In 1969 we arrived Black at a Mills College that begrudgingly welcomed us.  Mills had, and has always had, a split personality.  With a progressive presentation on the outside, Mills was, and is still deeply biased on the inside. My years there were filled with pride and pain and would become the subject and title of an article I wrote for the Mills Alumnae Quarterly Magazine in 2015.

I write this from the perspective of a former student who was both richly encouraged and treated with withering disdain. I write this as the first and only woman of color to be appointed as the Executive Director of the Mills College Alumnae Association, who on my first day on the job watched three white employees walk out as one of them said, “There is no way we will ever work for her.”  I write this as a short-term contractor at Mills who while in a staff meeting listened as the art museum director at the time said she was taking down an African art exhibit and putting it in the basement, “...because no one wants to come here and see that crap anyway.”

The March 17 Mills College announcement cites changes in higher education, declining enrollment, and budget deficits as the reasons for its academic demise. But, as with many colleges, Mills relied heavily on the financial contributions of the “good old girl” White alumnae, many of whom have now passed away. Some of these same women can be found in the College’s yearbooks of their era in drama classes smeared in blackface, and while I was Executive Director, one of them asked me more than once if I was available to clean her house.  Many of them are gone now, and when it came time to seek new funding pathways, Mills did not cultivate the alumnae of color. 

Don't get me wrong here, Mills did in fact ask us for money from time to time, but they never cultivated us as a Mills affinity group.  They never mixed us in their famous Mills College chocolate chip cookie dough as a part of the Mills alumnae recipe. We were never a normal course of business for Mills.  Mills never connected and acted upon the changing demographics of its alumnae base and the opportunities to fundraise outside of their real inside identity.  Oh yes, there was the attempt to connect in 2006 when a large meeting of Black alumnae was held.  It resulted in many painful stories of ill treatment at Mills, many tears, but no meaningful follow-up.  As I write this in 2021, Mills College has no Black employees in its Office of Alumnae Relations. I asked. What does that say about their internal design even today?  

So, while I am saddened by the news that my alma mater will no longer exist in its present state, I also understand the inevitability of it all.  Knowing no lasting progress has been made to change the closed, confusing, and "you are not really a Mills girl" culture I and others faced in 1969 and beyond,  from time to time I have wondered when the doors would close. 

 Yes, we have come full circle, my beloved Mills College 70’s sisters. Who could have imagined that the Black women who graduated in 1973, would be among the last group of “Golden Girls” for Mills College?

And who could have imagined that here in 2021, we still have to wonder if Mills will celebrate our shining legacy?

SJBB/March 2021


Thursday, March 11, 2021

BOOK REVIEWER HEATHER BARKSDALE GIVES BETRAYAL ON THE BAYOU 5-STARS


IN HER 5-STAR REVIEW 

OF 

BETRAYAL ON THE BAYOU 

AUTHOR AND BOOK REVIEWER

HEATHER BARKSDALE WRITES:


"...Overall, I found the book to be well-written, character-driven, and haunting. I thought that the character development of each of the main characters was really well done. Each of them had their own voice, background, desires, and motivations..."



Discover the characters, their stories and more.  Get your copy here:


Friday, February 26, 2021

JOIN ANGIE AND ME AND OUR POETRY FRIENDS ON APRIL 26 AT THE MECHANICS INSTITUTE LIBRARY

JOIN US ON APRIL 26

AT THE MECHANICS INSTITUTE LIBRARY

FOR 

NO POETRY NO PEACE

"Poetry provides pathways for creative and cathartic human expression and peace." 

Join us in celebration of National Poetry Month for a reading of poems from No Poetry No Peace, a collection written by Sheryl Bize-Boutte and her daughter Dr. Angela Boutte; and a special selection of local (and beyond) poets.

Monday, April 26, 2021 - 6:00pm to 7:00pm


This event is produced in partnership with the San Francisco Writers Conference.

About our poets:

Pushcart Prize nominee Sheryl J. Bize-Boutte is an Oakland multidisciplinary writer whose autobiographical and fictional short story collections, along with her lyrical and stunning poetry, artfully succeed in getting across deeper meanings about the politics of race and economics without breaking out of the narrative.  Her writing has been variously described as "rich in vivid imagery," "incredible," and "great contributions to literature." Her first novel, Betrayal on the Bayou, was published in June 2020 and a poetry collection she has written with her daughter Dr. Angela M. Boutte, titled No Poetry No Peace, was published in August 2020.  She is also a popular literary reader, presenter, storyteller, curator, and emcee for local events.

Dr. Angela M. Boutte is a biochemist, neuroscientist, and avid recreational indoor climber who loves the tranquility and peace found in writing the occasional poem.

Isis Machline Blanchette is a wife and mother of 2 young boys living in Long Beach, Ca where she works as a special education program director. Isis loves to dance, sing, and enjoy life's simple offerings.  She has been writing most her life and is an aspiring author. She writes prose, essays, poetry, historical fiction, and science fiction. Tonight she will share from her poetry collection. 

Leticia Garcia Bradford is a poet, playwright and publisher. In 2014 she founded B Street Writers Collective (BSWC), Hayward, CA- a community of writers both amateur and professional. Her poems and stories have been published in local and national journals. She edited BSWC’s anthologies Fly With Me and What Is Love which she is, also, the publisher for MoonShine Star Co. In 2017, Leticia toured around the entire SF Bay Area with her poetry and stories at open mics and readings.

A long time activist, journalist, and Bay Area resident, Fred Dodsworth earned his bachelor's degree in creative writing with a concentration on gender studies, and his Masters in Creative Writing from San Francisco State University. A poet since childhood, Fred's short stories and poems have been published in Red Light Lit, Rag Mag, Troop, Oakland Review #3, riverbabble, Transfer, Milvia Street, Bay Area Generations, Writing Without Walls, Saturday Night Special, Something Worth Revising, US Represented, and in the anthologies 11-9 the Fall of Democracy, RISE!, Colosses: Home among others.

Kevin Dublin is a writer of poetry, prose, scripts, and code originally from the small town of Smithfield, NC. His words have recently appeared in The Racket, Cincinnati Review, North Carolina Literary Review, Sparkle + Blink, and he is author of the chapbook How to Fall in Love in San Diego (Finishing Line Press, 2017). Kevin holds an MFA from San Diego State, leads workshops as a part of Litquake’s Elder Writing Project, and enjoys making video adaptations of poetry and developing web apps for writers. You can find him on Twitter @PartEverything.

Mary Mackey is the New York Times bestselling author of 14 novels and 8 collections of poetry including Sugar Zone, winner of the 2012 PEN Oakland Josephine Miles Award and The Jaguars That Prowl Our Dreams, winner of the 2019 Erich Hoffer Small Press Award for the best book published by a small press. Her poems have been praised by Maxine Hong Kingston, Al Young, Wendell Berry, Jane Hirshfield, D. Nurkse, and Marge Piercy for their beauty, precision, originality, and extraordinary range. Her novels have made The New York Times and San Francisco Chronicle bestseller lists and been translated into twelve languages. At www.marymackey.com, you can sample her work and read her interview series People Who Make Books Happen, which is designed to help writers and teachers of writing. You can also follow her on Twitter @MMackeyAuthor.

********

Please register via Eventbrite and the Zoom credentials will be sent to you when you register and a few days prior to the event.

Please register here for this free event:

https://www.milibrary.org/events/no-poetry-no-peace-apr-26-2021#tickets

Questions? Contact Taryn Edwards, tedwards@milibrary.org

 415-393-0103



Sunday, January 31, 2021

YOU ARE INVITED TO A MILLS COLLEGE VIRTUAL WRITER'S SALON

Participate by video or teleconference Thursday, February 18

 

Join alumnae and guests for a

Virtual Writers’ Salon

THURSDAY, FEBRUARY 18, 2021
5:30 pm – 7:00 pm PDT

This event will be held via Zoom meeting. RSVP below to receive login and dial-in instructions on the day of the event.

 

Come prepared with your favorite snacks and enjoy short pieces from Black alumnae/i authors. Videoconference participants will also have the opportunity to chat in questions of our authors after each reading. For this edition of the Virtual Writers' Salon, hear from:

 

Sheryl Bize-Boutte ’73

Isis Blanchette-Marcelin ’11

Alex Brown ’05

Ericka Duke, MA ’15

 

And welcome Kirstyne Lange ’12 as co-host!

 

Please respond by February 17 to receive login and dial-in instructions.

RSVP ONLINE

Wednesday, January 13, 2021

LA CREOLE JOURNAL

 ENJOY MY ARTICLE 

FROM MARKSVILLE TO OAKLAND: 

THE MAKING OF A CALIFORNIA CREOLE

IN THE LATEST ISSUE OF

 LA CREOLE

(A Publication of the Louisiana Creole Research Association, Inc.)


GET YOUR COPY HERE:

https://lacreole.org/support/purchase/