Saturday, September 20, 2025

Women's National Book Association Presents "No Poetry No Peace™"

 

WHAT: No Poetry, No Peace™ – October Gathering


Celebrate National Book Month with an evening of poetry where books meet the mic. Series founder Sheryl J. Bize-Boutte will guide the program and close with her own poetry, featuring Anne Babson, Diane Frank, Sheila Smith McKoy, Arabella Grayson, and Tamara Miles—writers whose work spans continents, traditions, and genres.

WHEN: Saturday, October 18, 2025 at 4:00 PM PT / 7:00 PM ET (Daylight saving time: 4:00 PM PDT / 7:00 PM EDT)

WHERE: Virtual – online event

COST: Free

Thursday, August 28, 2025

ON THIS 20TH ANNIVERSARY: IN MEMORY OF THE VICTIMS OF HURRICANE KATRINA

HELLO FRIENDS,

 I WROTE THIS STORY TWENTY YEARS AGO AFTER THE HORROR OF HURRICANE KATRINA. IN THIS STORY I IMAGINE I AM TAKING A PEEK INTO A LIFE ONCE FILLED WITH SOME OF THE THINGS LIFE IS FILLED WITH, BEFORE IT IS FILLED WITH THE  WATERS OF THIS DEADLY STORM. 

AS AN AUDIENCE MEMBER ONCE SAID OF ME, "SHE WRITES WITH A KNIFE," SO BE READY FOR THE REAL AND THE SURREAL. 

"PARTY LIGHTS" HAS BEEN PUBLISHED A COUPLE OF TIMES AND YOU WILL FIND AN UPDATED VERSION IN MY UPCOMING NOVELLA, "THE BURDEN KEEPER'S REPORTS." WHY THE UPDATE?  BECAUSE I CAN'T FORGET ABOUT THE PEOPLE OF NEW ORLEANS DURING THAT  TIME, AND I CAN'T/WON'T LET IT GO. 

LADIES AND GENTLEMEN, HERE IS "PARTY LIGHTS."


PARTY LIGHTS 


Sheryl J. Bize-Boutte

©2005 Sheryl J. Bize-Boutte


I didn’t think I would ever be able to raise my head from the floor. 


I don’t know how I got here.  


I know where I am, yet I am lost.


The floorboards are soaking wet and smell like the birth of rot. Did I spill something and fall?  That would be just like me.  Getting old and still trying to do things I have no business doing like trying to mop and wax these hardwood floors.  As I struggle to get up, my arms and legs come up cleanly, but my head feels like a two-ton boulder.  Finally, after I don’t how long, I am able to rise and move about the house.  I want to find my niece and ask her why she did not help me when I fell and why she did not come when I called out to her.  I distinctly remember calling her name as soon as I saw the rush of water that caused me to tumble.  My feet are sloshing in rising mop bucket dirty water and as I push my heavy legs down the dark hallways, I can hear the voice of that rapper 25-cent, or whatever his name is, getting louder and louder. I can hear the screams inside the wind as it haphazardly steers the unrelenting rain.

 My niece by marriage, Cyndra, is a disrespectful little heifer.  Since she has been here, I have asked her no less than a hundred times to turn down that music.  I like some of that hippity hop and the rap as much as the next person, but does she have to play the same song over and over at maximum volume?  I mean how many times does the boy have to tell everybody they are just shopping in the window?  I just don’t get it.  The water is up to her doorknob now and I am yelling her name at the top of my voice and knocking on her bedroom door, but she keeps acting like she doesn’t hear me.  No doubt with all that noise. I guess I will just have to go get in her face.

I have had just about enough.  She was sent here by her parents to go to the nearby University and has been in my house wreaking havoc in my life for the last three years, or is it five? I have somehow lost track of time. I have not had the heart to tell my sister-in-law, her mother, how badly Cyndra behaves.  Right now I am feeling like being supportive is highly overrated. She may not last long enough to finish her senior year under my roof if she does not get her act together.  

This is not working. I am still on the wrong side of her door.  The water is everywhere, and I need her to come out and help me clean this mess up before it ruins all of my beautiful floors. One more knock; one more yell. Ok that’s it, I am going in. 

 I can’t believe she is on the phone talking to one of her friends about how she has the house all to herself and yes, the party is on for tonight.  Absolutely, she says, we will put up the party lights. 

She has some nerve.  She didn’t ask me about a party.  This is my house.  My somewhat dear departed husband Stanley had this house built as my wedding present. He never got tired of reminding me and anyone else who would listen about how he built it from the ground up all by himself plank by plank, brick by brick, blah by blah. How he laid and polished all of the wood floors, interior trim and windows without a ruler; just his “eye.”  Until he passed away, I always felt like I was an interloper; just the “wifey” who completed his fake portrait of a good man. Just another fixture in his beautiful house. And beautiful it is. Now with him gone from the picture, it is finally all mine.  All mine except for the fact that Cyndra is here, supposedly to “look after my favorite auntie,” with her newest plan being throwing a party without even asking me.

Yelling her name and knocking on her bedroom door, the music and her party-planning confab seem to meld together in one big blast of sound.  Knocking, knocking, knocking.  Yelling, yelling.  Finally she opens the door floating above a rush of water and looks quizzically into the hallway.  Although the water is now up to her chest, she moves through it easily and slams the door in my face!  

There will be no party and no more loud music in my house.  Anyway, I have plane tickets for an around the world trip next year. But before I can even think about doing that, I have to clean out all of this water.  

Why is the light in the hallway so bright?  My electric bill is going to be crazy again.  I swear Cyndra never turns off a light.  But this is so bright I swear I can see my skeleton.  Costing me money and time.  I can’t wait to be rid of her ungrateful money and time wasting behind.

I am slowly making my way down the hall through this rising wetness. I see Stanley sitting in his favorite chair, in his favorite blue suit, in his favorite place at the end of the hallway.  I am not startled or afraid; instead I am annoyed that he is immersed in the things he loved most in his selfish life while I am left, as usual, to clean up this mess.  There is an even brighter light surrounding him that makes the hallway lights darken in surrender.   We seem to be suspended by vapor in this luminous alcove. There is no water here.  No sound of storm. Looking young and handsome with that perfect, too-white teeth smile of his; Stanley tells me there is nothing I can do about Cyndra.  She is what she is he says, his teeth getting brighter and brighter in the unforgiving light.

I stare at Stanley for a minute wondering how, after all these years, he still has those perfect teeth.  And how all those women just fell in love with that shimmery mouth of his and the bullshit that fell from it.  I remember I don’t like him all that much. I think he just wants me to leave so Cyndra can take over the house. I am finally in charge of it all and I am not falling for that. No not me. Not today. 

“Come on baby”, he says, “let’s go to lunch.” Looking closer I can see the wounds on his face and neck beginning to open from where that last prostitute slashed him with the box cutter. 

 “I don’t have time to go to lunch with you, Stanley.  I have to get the water out of my house.  MY HOUSE!”

Stanley’s smile turns into a snarl of snakes and one by one, each of those beautiful teeth of his fall into the rapidly dimming abyss beneath us.  I watch as all of his colors turn to liquid and begin to leave him one by one. I watch while the blue of his suit, the brown of his skin, the red of his blood and the white of his bone all fall away.  I turn away only after every spec of him has disappeared and bright hallway light has returned.

I turn again and am suddenly weightless and in a softer light prism of ambers and greens. In the shadowy distance I can hear my friend Barbara’s voice, “You have to go, everyone is leaving. Follow the water.” 

Outside the wind begins to howl more urgently, this time it sounds like a dying animal.  The water is coming back in waves, circling and swirling.  

“I can’t leave, I whisper. I have to save the wood.  I have to save the wood.”

I am suddenly propelled upward. I see the nails, tacks and tape destroying my beautiful woods. Cyndra has put up the party lights. The wood screams and creaks from the wounds she has inflicted, begging for my intervention. I reach out to soothe it, but the distance is too far.  I am slipping backwards, speechless, my tongue ruined by the taste of rancid water.

I look down and see that Stanley’s house, no longer mine, is now below my feet.  

I see Cyndra in her room, still on the phone. She looks happy.  Tacked to the windowsills, nailed to the rafters, wrapped around the trees, the party lights are everywhere.  The water is beginning to rise above the house.  The wood begins to break away and float in the murky wetness.  The lights continue to twinkle until the house is sucked into the swirling drain of brackish drench. 

As the last light flickers to shade, I begin to tumble.  I tumble so fast that there is no left or right, no up or down until I land.  Ever so softly I land, face up on the living room hardwood floor. 

I am so happy that I did not leave.  They were all wrong.  It wasn’t that bad, and I am still here.

My satisfaction fades when I hear the water slowly building up outside to rush in again. The screeching wind, the frantic gurgle of many voices, and the unbearable heaviness of hope lost have replaced the music and shut the lights.

The water is on my face now. I am so tired; I cannot lift my hand to wipe it away.

 I am so tired.

“You should have gone, you should have gone”, Barbara’s voice is so faint and far away now.  I have no energy to answer.

I close my eyes and slowly sink until the wood, the water, and I become one.


This was written in the memory of the victims of hurricane Katrina.


Wednesday, May 28, 2025

ANOTHER TRUE STORY

 ANOTHER TRUE STORY




As you can see, again this year, our roses have arrived lush and plentiful.  It is indeed a blessing to be able to go out every spring and watch them as they awaken and bloom.

It is also a blessing to have the vase that holds some of them this year.

And yes, this is about that vase.

When I worked for the Federal Government, I interviewed many people for jobs.

On this particular day, I was interviewing candidates for a temporary office manager/assistant position.

In walked this young woman, smiling and extending her hand in greeting. 

Good handshake I thought.  I liked her right away.

I began my battery of questions, follow-ups and whatever. The usual BS.

Along the way, one of us must have said something uproariously funny because we soon found ourselves laughing so hard, we were in tears.

Suddenly, in mid-laugh, her false teeth flew out of her mouth and landed on the table in front of us.

Both momentarily taken aback, we were silent for the few seconds it took her to pick them up and put them back in place.

She looked at me.  I looked at her.

We again fell into uncontrolled, crazy laughter.

When we recovered, I hired her on the spot.

Being in the temp game, she only stayed a few months, and we soon lost track of each other, but on her last day, she gave me this vase.

It has been a treasured vessel of all manner of flowers for the last 25 years and still brings on the laughter and warmth from that special day.



Sunday, April 20, 2025

 THREE OF MY POEMS HAVE BEEN PUBLISHED IN THE ANTHOLOGY

 "ALL THE WOMEN CAME AND SANG" 

A COMPANION PUBLICATION TO "ALL THE MEN CAME AND DANCED" 

EDITED BY TAMMY NUZZO-MORGAN, DIANE FRANK AND GREGORY CIOFFI

THANK YOU DIANE AND TAMMY FOR INCLUDING ME IN THE WOMEN'S VOLUME!



AVAILABLE  AThttps://www.amazon.com/Women-Came-Sang-Tammy-Nuzzo-Morgan/dp/B0DV5DQGLX/ref=sr_1_1?crid=SQHYR9KEWM1F&dib=eyJ2IjoiMSJ9.Mg66grcbu0aWNREfodrbB7oOlgvdHI-NEBYLSVhCF2nGjHj071QN20LucGBJIEps.Nq5fC73zsnazU_NpPBAd3A0nzOVkKSrfuaZgPaOnY70&dib_tag=se&keywords=all+the+women+came+and+sang&qid=1745185997&s=books&sprefix=all+the+women+came+and+sang%2Cstripbooks%2C155&sr=1-1

AND OTHER BOOKSELLERS AND STORES




Tuesday, April 15, 2025

NO POETRY NO PEACE™ VIA ZOOM ON APRIL 26

 JOIN US 

ON APRIL 26, 2025

4PM-5PM

VIA ZOOM

FOR 

THE WOMEN'S NATIONAL BOOK ASSOCIATION'S CELEBRATION

 OF

 NATIONAL POETRY MONTH

 AS THEY PRESENT

SHERYL J. BIZE-BOUTTE'S

  NO POETRY NO PEACE™

WITH 

DEBORAH SANTANA

MAHNAZ BADIHIAN

ALEX BEHR

LUCILLE LANG DAY

STACY MC CLENDON

E.A. (LISSA) PROVOST 

SEE  MORE ABOUT THE FANTASTIC POETIC LINE-UP AND REGISTER HERE:

 https://www.zeffy.com/ticketing/no-poetry-no-peace


No Poetry No Peace™

Apr

26

Saturday, April 26

4:00 PM - 5:00 PM





Wednesday, February 19, 2025

IN HONOR OF MY DEAR FRIEND ON THIS DAY OF REMEMBRANCE

 

IN HONOR OF MY DEAR FRIEND ON CALIFORNIA'S  "A DAY OF REMEMBRANCE: JAPANESE AMERICAN EVACUATION"


Girl of the Sunflower

 

Copyright© 2019 by Sheryl J. Bize-Boutte

 


 

She has called me and I have arrived at her door.  She is my dearest friend, older than I and in failing health so I do not hesitate when she summons me. 

 

I knock on the door.

 

Once.

 

Twice.

 

No answer so I call her name.

 

“Akemi! Akemi!  I am here. Open the door.”

 

A soft faint voice answers, 

 

“It is open.”

 

I step in to the semi-darkened room.  The only window is covered by a large Japanese fan, which only lets in light on its edges giving the room a strange mix of muted afternoon sunlight and darkness.  The only other light comes from the TV, which is tuned to her favorite show, Wheel of Fortune. Akemi is sitting on the sofa opposite the window with half of her face in light and the other half seemingly gone. On the lit half of her face I can see she is wearing her trademark plum lipstick and not a hair is out of place.  

 

I lock the door behind me and sit in the chair facing her.

 

“Why is the door unlocked?”

 

“Why should it be locked?”

 

“For protection and safety, Akemi.  For keeping out danger.”

 

“From what do I need protection? Safety is no longer an issue. Danger has come and is sleeping upstairs in my bed.”

 

“What are you saying Akemi?  What is wrong today?”

 

“This did not just happen today.  This started a long time ago.”

 

I do not want to have this conversation.

 

“Akemi did you ever see the episode of Wheel with James Brown?”

 

She turns to look at me, momentarily exposing her entire face to the dim light.  I see that she is wearing her subtle make-up as usual and her close-cut salt and pepper hair is shining despite the lack of light.  I think she looks like a beautiful Japanese painting. 

 

She sighs.

 

“No I did not see that one.”

 

“Well James Brown asked to buy a vowel.  And Pat says, ok.  And James says, ‘Pat, I would like to buy a W.’”

 

I laugh at my funny story.

 

Akemi does not laugh.  

 

“This just did not happen today.  This started a long time ago.”

 

****

 

We are out shopping.  Akemi is slow and not used to her new walker.  I am never in a hurry.  We are a curiosity to many. They see the unlikely pairing of the older Japanese woman and the middle-aged Black woman.  We live a fierce, unwavering friendship built on easily discovered common ground.

 

The saleslady at the Neiman Marcus Estee Lauder counter in San Francisco has known Akemi for many years and is anxious to wait on one of her best customers.  When it is my turn to make a purchase, the saleslady turns her back and walks away. 

 

Akemi turns toward the door and wanting her to wait; wanting her to be there, yet again, as I tell the saleslady I am not the maid, the help, the servant, I touch her on her shoulder.  She shudders.  Her shoulders droop and her knuckles turn white from her grip on the walker.

 

“I am so sorry, Akemi.  I did not mean to startle you.”

 

“That is how it started.  He came up behind me.”

 

It is not the time or place for her to tell me the rest.  

 

We head back to Oakland.

 

****

 

“I was born and raised in Oakland, she begins.

 

My family started the rose industry in 1930’s Oakland and owned many flower shops.

 

I played among the roses as a little girl.  One day I saw a picture of a sunflower and I asked my father to buy one for me.  He did and soon they were a regular feature at the shop.

 

I don’t think my mother was my real mother. I think my real mother gave me away.

 

In  1942, I was in English class at Edgemont High School when they came and took me to the Camp.   My future husband was in WWII in the all-Japanese 442nd Regimental Combat Unit.  

 

What kind of place is this?

 

I finally received my high school diploma in 1974. Big ceremony in the Edgemont auditorium just for me.  No prom.  No yearbook.”

 

“I went to Edgemont,” I say.

 

Akemi smiles slightly.  She turns from me to the covered window that puts her face in fuller shadow now that the sun has begun its descent.

 

“I wonder what my Nirvana name will be,” she says.

 

****

 

“I am wearing my favorite bright yellow dress.  My black hair is cut into a bob with full bangs.  My new Mary Jane shoes are polished in a startling white.

 

The boy my parents have hired to work at the flower shop will be here soon.

 

I have not told my ‘not really my mother’ that he sneaks up behind me and touches me.  

 

By now we have an entire section of sunflowers.  People are coming to Oakland from everywhere and they seem to want them now more than the roses.

 

In my daily dance of escape, I weave in and out of the sunflowers pretending to be one.

 

I hear the boy approaching.  With my yellow dress and black hair he does not see me.  

 

Akemi, Akemi he whispers.

 

Akemi, Akemi he insists.

 

Akemi, Akemi he threatens.

 

I weave and weave, in and out and around and around.  

 

My body stretches and becomes a tall stalk.

 

Today the boy cannot find me. He shrugs his shoulders and walks away.

 

Today, I am a sunflower.”